High Speed Filming

Here is how this works in practice. We deliver high-speed filming as a expert camera service, because slow-motion at hundreds or thousands of frames per second has distinct demands on light, exposure and timing. From our Belgrade base we run high-speed cinema cameras and dedicated phantom-class systems. Our operators plan each shot around the extra light a high frame rate needs, working with the gaffer to deliver the levels a clean, sharp slow-motion image needs.

Here is the short of it. We engineer precise triggering so an action lands within the recording window, manage the buffer and download workflow so takes turn around fast, and set up with stunt, special-effects and product teams for shots involving impacts, liquids or pyrotechnics. For controlled work we stage at PFI Studios near Simanovci, one of the largest complexes in the region, where lighting and rigging can be built precisely; on location we adapt the package to the site. High-speed cameras and the supporting lighting come through our Belgrade base, with expert systems supplemented from the wider region for demanding shoots.

Here is the breakdown. Serbia is a practical base for high-speed work because its production industry has built real technical depth over a decade-plus of servicing global features, series and commercials, centred on Belgrade and the current PFI Studios. The country's range of locations supports slow-motion sequences in many settings, from controlled studio product work to action shot against the Kalemegdan fortress. The streets of New Belgrade or the landscapes of Tara and Zlatibor. Mains power runs at 230V/50Hz.

Here is what that looks like on the ground. Our gaffers plan the big lighting load that high frame rates demand, including generator support where a location cannot carry the rig. The temperate inland climate brings four distinct seasons, so a high-speed exterior can be planned for summer light or winter conditions. ATA carnets cover temporary import of expert high-speed cameras a production prefers to bring. English is widely spoken across the local crew base. The cash rebate through the Film in Serbia programme of the Serbia Film Commission keeps a high-speed unit cost-good.