
SCENE 01 / WIRELESS MICROPHONE SYSTEMS
Wireless Microphone Systems
Professional wireless audio for your Serbian production.
Wireless microphone systems enable untethered audio capture, giving talent freedom of movement while maintaining broadcast-quality sound. Modern digital wireless systems offer reliable transmission, wide frequency range, and encryption to avoid interference in complex RF environments common on busy sets.
We source and coordinate wireless microphone systems with the frequency bands and channel counts your production requires. Our team handles spectrum coordination and ensures backup units are available, so your sound department can operate confidently across multiple shooting locations.
Capabilities
Wireless Audio Equipment
Premium wireless systems from Lectrosonics, Wisycom, and other industry leaders.
Professional Wireless Solutions
Capabilities
Our Process
Requirements Review
Understanding your channel count, range requirements, and RF environment.
System Design
Configuring the right wireless system with proper frequency coordination.
Frequency Scan
Scanning your locations and allocating clean frequencies for reliable operation.
Production Support
Technical support, backup equipment, and frequency management throughout your shoot.
On Location
From dense RF environments in central Belgrade to clean spectrum in the mountains of Zlatibor, we supply wireless microphone systems coordinated within the spectrum RATEL allocates for production use in Serbia.
Here is how this works in practice. Our team sources and sets up wireless microphone systems for productions across Belgrade and the wider region, working from a rental inventory that has grown with Serbia's expanding film-services industry. We hold digital and analogue transmitter and receiver pairs. A range of lavalier capsules suited to different concealment and tonal needs, plus antenna distribution and RF cabling to extend trusted coverage across large sets. Every wireless package is prepped, range-checked and frequency-coordinated before delivery.
Here is the short of it. For a large-cast drama at PFI Studios near Simanovci needing dozens of channels. We plan the range as a single set up map, scanning the location and allocating clean frequencies that avoid trouble between radio mics. IEMs and any wireless video on the unit. We stage backup transmitters and receivers so a failed channel is swapped between setups. Where a production needs more channels or specific frequency blocks than Belgrade inventory holds. We supplement from suppliers across the wider Balkan region, keeping every unit within the bands ready for production work in Serbia.
Here is the breakdown. RF range in Serbia is covered by RATEL. The Regulatory Agency for Electronic Communications and Postal Services. All wireless microphone coordination we carry out respects its allocations. The RF environment differs sharply across Serbian locations. Central Belgrade, where the Sava meets the Danube around the Kalemegdan fortress, is a congested range environment with broadcast and mobile traffic competing for the air, so a careful scan is key before allocating channels in the old town or Skadarlija.
Here is what that looks like on the ground. By contrast, the mountains of Tara, Zlatibor and Kopaonik and the Djerdap gorge offer cleaner range and easier coordination. Serbia's 25 to 30 per cent cash rebate, run through the Film in Serbia programme of the Serbia Film Commission, makes hiring local wireless inventory and RF technicians cost-good. As Serbia is not an EU member, wireless kit imported from abroad moves under an ATA carnet for temporary import, while renting locally keeps a production within RATEL's framework without that paperwork.
FAQ
Frequently Asked Questions
What wireless systems do you recommend?
For professional narrative work, we recommend Lectrosonics Digital or Wisycom for their audio quality, reliability, and spectral efficiency. Zaxcom offers recording-capable transmitters. For budget-conscious productions, Sennheiser EW-D provides excellent value.
How many wireless channels can you provide?
We can provide as many channels as your production requires—from single transmitters to dozens of coordinated channels for large cast productions. Our frequency coordination ensures all channels operate without interference.
What lavalier microphones do you stock?
We carry DPA 4060 and 6060 (subminiature), Sanken COS-11D, Sennheiser MKE series, and Countryman lavalieres. Each has different characteristics suited to various concealment and sound requirements.
How do you handle frequency coordination?
We scan your locations to identify clean frequencies and coordinate all wireless systems to avoid interference. This includes both your wireless mics and any other RF equipment like wireless video or IEMs.
What about range and coverage?
Range depends on the system and environment. We configure antenna distribution and RF cables to ensure reliable coverage for your shooting area. For large locations, we can provide multiple receiver setups.
Do you provide backup equipment?
Yes, we recommend and can provide backup transmitters and receivers for longer shoots. Having backup wireless protects your production against equipment failures.
Related Services
Productions in Serbia that need this often pair it with Wireless Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Audio?
Tell us about your wireless requirements and we'll build the right system.