
SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your Serbian production.
Here is how this works in practice. Wireless communication and audio transmission systems keep production teams connected and audio signals flowing without physical cables. These systems cover wireless intercoms, IFB feeds, audio hops, and comms networks that are key for setting up large crews across expansive sets or locations.
Here is the short of it. We give wireless system packages configured for your production's specific communication and audio distribution needs. Our team sets up frequency planning and gear testing to make sure interference-free operation, allowing seamless crew communication and reliable audio transmission across your shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
Scanning your locations to know the RF environment and identify clean frequencies.
System Design
Designing an integrated wireless solution covering audio, video, and control needs.
Frequency Coordination
Allocating and logging frequencies to make sure all systems operate without interference.
Production Support
Ongoing RF tracking and support across your shoot.
On Location
Across audio hops, IFB feeds, wireless intercom and lens control, we plan and supply integrated wireless infrastructure for Serbian productions within the spectrum RATEL allocates for the film industry.
Here is how this works in practice. Our team designs and delivers complete wireless system packages for shoots working across Belgrade and the wider region, drawing on a rental base that has matured with Serbia's fast-growing film-services industry. A production runs many wireless services at once, including radio microphones. IFB and IEM feeds, wireless intercom, audio hops and lens control, and our role is to plan all of them as a single set up range map rather than department by department.
Here is the short of it. We start with a RF survey of each location, identify clean frequencies, and allocate channels so that no two services interfere. For a large-scale shoot at PFI Studios near Simanovci, that means logging frequencies for sound. The camera department and the AD team, then supporting the plan through the shooting day with on-site RF tracking. Each wireless package is prepped and tested before delivery, with backup units staged for the services most key to the day. Where a production needs more wireless infrastructure than Belgrade inventory holds, we supplement from suppliers across the wider Balkan region.
Here is the breakdown. All RF range used by production wireless in Serbia is covered by RATEL. The Regulatory Agency for Electronic Communications and Postal Services. Our planning works strictly within its allocations and any sign-ups its rules need for higher-power systems. The RF picture changes markedly across Serbian locations. Central Belgrade, set where the Sava meets the Danube below the Kalemegdan fortress, is a congested environment crowded with broadcast and mobile signals, so the survey before a shoot in the old town or the New Belgrade blocks is key.
Here is what that looks like on the ground. Remote locations such as the Djerdap gorge on the Danube and the mountains of Tara, Zlatibor and Kopaonik give cleaner range and simpler planning. Serbia's 25 to 30 per cent cash rebates, administered through the Film in Serbia programme of the Serbia Film Commission, makes hiring local wireless infrastructure and RF crew cost-good. As Serbia is not an EU member, any wireless gear brought in travels on an ATA carnet for short-term import.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We set up all production wireless systems including microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF gear. Full planning makes sure all systems work together without interference.
How do you handle frequency allocation?
We scan your locations, identify clean frequencies within Serbian legal range, and allocate channels to all departments. We give frequency records and work with each department to program their gear.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems for video village distribution. These give zero-latency transmission allowing directors and clients to monitor without cables.
Do you provide wireless lens control?
Yes, we supply wireless follow focus systems including Preston FIZ, ARRI WCU-4, and Tilta Nucleus. We make sure lens control frequencies are set up with other wireless systems.
What about Serbian RF regulations?
We're familiar with Serbian frequency rules and make sure all wireless gear operates within legal range. We can advise on sign-ups needs for high-power systems.
Can you support large-scale productions?
Yes, we often support shoots with dozens of wireless channels across many departments. Complex shoots gain most from full RF planning.
Related Services
Productions in Serbia that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.